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Art Exhibition

‘Read Red’ by Velu Viswanathan at The Lodhi, Delhi

Velu Viswanathan, popularly known as Paris Viswanathan (born 1 January 1940) is an Indian painter, has carved his own domain in the contemporary art scene. He lives in Paris since 1968. He had been selected for the Kerala Lalitakala Academy fellowship for 2008.

One says it is by walking that one traces one’s path. Life is made of incidents and accidents, what could one do other than going forward. There is a raw energy in the state of unknown fullness, and as we keep walking, the sense of space and the way one walks become measured. The more one advances, particularly the immensity of space and time makes one small. My work comes from what one may call the inner necessity. The adventure of the film trip was to discover my own self, which led me to understand the five elements basic to our existence. This experience led me to the idea that “matter is the matter” and more about what I am doing. Says Velu Viswanathan   an Indian born artist who made his way to Paris. He was a founding member of the Cholamandal Artists’ Village in Chennai, but a trip to Paris in 1968 grew into an opportunity to stay there and explore his scope. Viswanathan is more popularly known as Paris Viswanathan. Born in Kerala, Viswanathan packed his bags and came to Madras. It was 1960; a year when veteran artists such as Adimoolam, Haridasan, and Dakshinamoorty also stepped into the Art School. “So this is how I started.”

India-inspired

It was around this time that artists, poets, and writers intensely discussed on Indian identity in the arts. “What do we follow? The very rich and complex Indian tradition or the acquired European tradition?” A conclusion was arrived at. “We decided to analyse and synthesise our own identity and style,” he says. But times were not great for an artist in Madras. “We were always asked, ‘so you’re studying art? What next? What would you do for a living?’ People never bought art; we were not encouraged.”

The village by the sea

That’s when K. C. S. Paniker, the principal of Madras School of Arts, envisioned the idea of “a space for artists to do their research and express themselves creatively and not commercially.” He, along with his students established the Artists’ Handicraft Association as an extension of art that would help sustain themselves while they pursued their artistic endeavours. Viswanathan briefly settled in Cholamandal but he decided to travel. “Friends arranged an exhibition of my works in a garden and bought me a one-way ticket to Europe with the money.” The trip changed his life. Viswanathan travelled across Europe and saw the original works of masters such as Van Gogh and Edvard Munch about whom he had studied back in Madras. When he arrived in Paris towards the end of August 1968, the world of art embraced him. His first exhibition was held in 1970. “After the show opportunities to work there opened up. It has been close to five decades  since I started a life in Paris says the artist. His style evolved from the abstraction of India . Inspite of living in France for so many years,his connection and roots were important to him and he used these origins in a deconstruction of sorts in his work. His background and exposure in his youth of tantrik, folk and religious rituals he encountered led him to explore and question the philosophy behind the religious practices in Kerala and that set him on his journey of exploring Air Water and Fire in his art leading to his films and abstraction in his paintings. He also opted for a medium called Cassin which has a transparency and freshness that stays over time. Over the last few years the colour RED dominated his work. RED being a ritualistic colour in many cultures has many layers to it in philosophy and the conceptual additions he added to it created his own vocabulary . He read RED in his own realm in a personal narrative that was dramatic  moving and his very own .These very layers in his paintings speak of the experiences of his journey and thinking that he brings to his art.

This collection of works “READ RED ” will be on view until Friday 15th Feb, 2019. APPARAO GALLERIES – DELHI, The Lodhi (Formerly The Aman), Lodhi Road, New Delhi 110003  

By OpenArt

We are passionate about and focused on the fine arts. In an overall perspec­tive, art has an impor­tant role in social development. Art gives thoughts, stimulates the entrepreneurial spirit, builds sustainability and encourages consideration.

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