Jawahar Kala Kendra is proud to present an exhibition focused on the work of eminent theatre exponent of India – Mr. Ebrahim Alkazi. The exhibition – ‘The Theatre of E. Alkazi’ (27th March- 6th May, 2017) is a retrospective of Ebrahim Alkazi’s theatre work, spanning a period of 50 years, curated by Amal Allana and designed by Nissar Allana. The exhibition will be inaugurated as a part of the celebrations of Rajasthan Divas & World Theatre Day and will be on display till 6th May 2017 (Closed on Mondays and Public holidays).
Amal Allana, curator and daughter of E. Alkazi shares a personal glimpse into the life of her father, “A hushed silence enveloped our home. Beethoven, Stravinsky, Begum Akhtar, Ravi Shankar – the gramophone playing 45’s winds on. My father absorbed in the music, eyes shut, a notebook and a well-sharpened pencil are neatly placed in front of him, aligned at a perfect 90-degree angle to the corner of the table! His body, in the pose of Rodin’s “Thinker”, is relaxed, but at the same time suffused with a contained energy. Daylight breaks with its soft, pink light, the sound of the sea and the sparrows melt away to be overtaken by the cacophony of BEST buses. He has been awake since at least 5 a.m., reading, and has already made himself a pot of tea. In a few moments he will offer a fresh cup to my mother, in bed, a small luxury that she appreciates without fail.”
Alkazi is a legendary figure of Indian theatre whose remarkable achievements have earned him the Padma Vibhushan, among a vast number of Lifetime Achievement Awards.
Alkazi’s story runs parallel to the Independence Movement and the birth of Indian modernism in theatre. He introduced revolutionary ideas in theatre as early as the 1950’s in scenic design, lighting, modern ideas of acting drawing from international traditions and linking these ideas to the performing folk traditions of India. He evolved new training methodologies for student actors, directors and stage designers and spoke of a new ethics and philosophy in theatre.
The exhibition features multiple rooms of rare photographs, objects, archival documents, models of stage sets, using a multi media approach to exposing Alkazi’s vision and ideas. The exhibition shows, for the first time, Alkazi’s work from the 1940’s and 1950’s – work that has rarely been seen anywhere in India, and brings a vast treasure of archival material into the public domain.
The exhibition will be inaugurated by the eminent theatre director, Mr. Mohan Maharishi, on 27th March, at the Museum Galleries of JKK, followed by a film on Alkazi. Seema Biswas, trained by Alkazi, will present a solo act, ‘Jeevit Ya Mrit’ directed by Anuradha Kapur. The play will then be staged in the auditorium at JKK later that evening.
As a part of the exhibition, a seminar will be organized on 28th March. The seminar participants include eminent theatre personalities Amal Allana and Hema Singh. Theatre professionals Ashok Banthia and Vishal Vijay will also participate.
In the words of Pooja Sood, Director General, JKK, “We are honored to have an exhibition of works by E. Alkazi here at JKK. Alkazi is the doyen of theatre who pushed the boundaries of Indian theatre and brought it in line with its international counterparts.”
In the words of Nissar Allana, “My greatest challenge in designing an exhibition on a great legend like Alkazi, was to be able to live upto the high standard of what Alkazi stood for, and to be able to communicate that greatness in a manner befitting Alkazi.”
The exhibition will be on display at the refurbished Museum Galleries of Jawahar Kala Kendra. These Galleries are equipped with state of the art lighting systems matching international gallery standards.
Amal Allana is an Indian theatre director, and costume designer and served for 8 years as the Chairperson of National School of Drama, India’s premier institute of Theatre training. As a theatre director, she has directed over 60 plays in Hindi, including notable productions like, ‘Aadhe Adhure’ (Mohan Rakesh), ‘Khamosh’, ‘Adalat Jari Hai’ (Vijay Tendulkar adaptation of 1956 short-story), ‘Ashadh Ka Ek Din’ (Mohan Rakesh), ‘Hayavadana’ (by Girish Karnad), ‘Mahabhoj’ (Mannu Bhandari) (1982), ‘King Lear’, ‘Himmat Mai’ (Mother Courage), ‘Nati Binodini’ (2006) and ‘Begum Barve’ and ‘Erendira and her Heartless Grandmother’ (Satish Alekar), many of which are known to have set trends in Indian theatre.
Nissar Allana is a scenographer and light designer of international repute and has designed sets & lights for over 65 theatre & television productions, as well as for the son-et-lumiere at Golconda Fort and in Port Blair. His major works include sets and lights for Operas ‘Fakir of Benaras’ by Muzaffar Ali, and ‘The Pearl Fishers’ by Patricia Panton, Set Decorator for Richard Attenborough’s ‘Gandhi’ film, Designed & coordinated a photographic exhibition on India at the Pushkin Museum, Moscow, and for other television and performing arts festivals in the UK & USA. He has been awarded the Sangeet Natak Akademi Award for Stagecraft.
Mohan Maharishi is an Indian theatre director, actor and a playwright who graduated from the National School of Drama. He was awarded the Sangeet Natak Akademi Award for ‘Direction’ in 1992. Mohan Maharishi is most known for his revolutionary plays in Hindi, such as ‘Einstein’ (1994), ‘Raja Ki Rasoi Vidyottamā’ and ‘Saanp Seedhi’. and also countless Hindi plays that he has directed over the years, including, ‘Andhayug’, ‘Rani Jindan’ (Punjabi), ‘Othello’, ‘Ho Rahega Kuchh Na Kuchh’ inspired by Marsha Norman’s 1983 English play, ‘Night, Mother’ and ‘Dear Bapu’ (2008).
Seema Biswas is an Indian film and theatre actress from Assam who shot into prominence with the role of Phoolan Devi in Shekhar Kapur’s film ‘Bandit Queen’ (1994). She has a reputation for performing strong character roles. Biswas won the 1996 National Film Award for Best Actress for her role in the film ‘Bandit Queen’. She won the 2000 Sangeet Natak Akademi Award and the 2006 Best Actress Genie Award for her role as ‘Shakuntala in Deepa Mehta’s Water’ (2005).
Anuradha Kapur is a theatre maker and teacher. Among her acclaimed productions are ‘Virasat’,(2013) ‘Dr Jekyll and Hyde’ (2012), ‘Jeevit ya Mrit’ (2011), ‘Centaurs’ (2006), ‘Pata Shahar Mumbai’ (2004), ‘Antigone Project’ (2003), ‘Sundari: An actor Prepares’ (1997) and ‘Umrao’ (1993). Her writings on performance have been widely anthologized and her book ‘Actors Pilgrims Kings and Gods: the Ramlila at Ramnagar’ was published by Seagull Books, Calcutta (1993, 2004). She was awarded the Sangeet Natak Akedemi award for Direction in 2004.
Hema Singh is an Indian professor and actress. Her first role was at the age of 11 in the soap opera ‘Kyunki Saas Bhi Kabhi Bahu Thi’. She later attended the National School of Drama (NSD) in New Delhi. After doing some freelance work as an actress, she became a professor at NSD. One of her most prominent roles is that of Imarti Devi in the television series ‘Kairi — Rishta Khatta Meetha’.
Ashok Banthia, is a Hindi film and TV and theatre actor and director. He is a NSD (National School of Drama) alumnus known for his roles in Australian TV miniseries ‘Bodyline’ as Nawab of Pataudi Sr.
Vishal Vijay is a theatre professional who passed out from the National School of Drama. He is based in Jaipur, directing dramas and conducting an ‘abhinaydarpan’ acting workshop.
About Jawahar Kala Kendra
Jawahar Kala Kendra (popularly known as JKK), is a non profit arts and culture centre in Jaipur, which endeavours to preserve and promote the various genres of Indian art and culture on an international level. The centre embodies both the visual and cultural heritage of Jaipur, and was designed in 1991 by renowned Indian architect of international acclaim, Charles Correa. The architecture of JKK is based on the concept of Indian astrology and resembles the square-grid plan of Jaipur city. JKK’s enormous and uniquely structured building is home to an ethnographic museum, exhibition galleries, an open air theatre, arena, library and coffee house.
Ever since its inception, the art and culture hub of JKK has committed to promote multiple types of art. It provides a platform that connects visitors, scholars and art enthusiasts with artists and artisans through a rich programme of exhibitions, music and theatre productions that encompass the culture, history and way of life prevalent in Rajasthan and India. In the last year alone, JKK has been instrumental in bringing high quality performing art and literary programmes to the Pink City, with ‘Navras’ (a week long performing arts festival), ‘Bookaroo’ (Children’s Literature Festival), ‘Raag’ (an all night classical musical event) and ‘Thirak’ (Classical Dance Festival) being some of the major highlights.
The arena of visual arts at JKK witnessed a breakthrough earlier this year with the reopening of the Museum Galleries which constitute the erstwhile Museum Alankar and the three art galleries which had been under renovation. Refurbished with concrete flooring, state of the art lighting systems and walls, the Museum Galleries not only provide a space of thematically curated exhibitions to enrich the cultural landscape of Jaipur but also give the visitors a dynamic experience.